All six of the songs are unique but tied together by a trademark group of flows, which he cycles through at a head-spinning rate with impressive control. It is both poppier and more sonically interesting than Baby Pluto. The second third is Orenji, named after a lighter and more unique character. Also like a majority of Future’s music, Baby Pluto suffers from homogeneity, which would be a larger problem if it was longer than six songs. The first third is Baby Pluto (thusly named for his artistic similarities with Future), packed with songs that sound like the indomitable 2015-era Future, if his voice was 3 octaves higher and his misery was slightly better hidden. According to this Twitter interaction, the album is divided into three equal parts, with each portion devoted to a different alter ego. Hype for the album was cautiously mounting.Īfter allowing his fans to choose his album cover and releasing a final single, he dropped the album, which runs for 62 minutes over 18 songs. To Uzi fans like myself, these videos are so absurdly entertaining that “Eternal Atake”’s ideal form might actually have been a collection of him dancing with snippets playing in the background.
In December 2019, after months of rumors and outlandish theories regarding the release date, he released the track “Futsal Shuffle 2020,” once again using the most effective weapon in his arsenal: Instagram dance videos.
He knew that fans love it when rappers complain about their contractual woes and deliberately lied to the world to buy himself a potentially endless creative gestation period. In April, a collaborator revealed that Uzi had created 11 different versions of the album. He went on to release two decent singles and continuously tinker with his project. With Jay Z’s history of suffocating his artists, this move was akin to being annoyed that your hotel stopped serving breakfast at 10:30 a.m.
#LIL UZI ETERNAL ATAKE SNIPPET FREE#
He never acknowledged this, and continued his “ Free Uzi” campaign, eventually signing to Roc Nation. He described strife with his then-label Generation Now, which announced shortly afterward that Uzi had the power to release his album whenever he wanted. In the first weeks of 2019, Uzi announced his retirement from music, and fans had a collective mental breakdown. When he announced the album was finished in December, however, this era of good feelings was replaced by the psychologically grueling waiting period. The excitement for an album that invoked the legal wrath of a suicide cult was, of course, high. He announced the album in July 2018, posted a cult-themed cover art a few days later and subsequently released “New Patek” - the presumed lead single of the album - in perhaps the most iconic dance video ever posted on Instagram. In what may be the most ingenious album rollout of all time, Lil Uzi Vert fully developed the legend and legacy of “Eternal Atake” before anyone even heard it. He created controversy, controlled it and ultimately used it purely to his advantage. After announcing and promptly disregarding multiple release dates, Lil Uzi Vert finally released his sophomore album “Eternal Atake.” Since announcing the project almost two years ago, Uzi has tortured his fanbase by systematically provoking hype, dashing it and placing the blame on his label. While it's unclear as to whether we'll ever see this one surface in full, remember that Uzi has been hard at work to his follow-up to Eternal Atake, having previously expressed his own disappointment in the project.Ĭheck it out for yourself now, and sound off if you're excited to hear another new album from the self-styled Baby Pluto.It’s here. Unfortunately, the snippet ends before we can get a genuine feel of what the upcoming track will sound like, with JT cutting the clip the moment Uzi scurries into his gargantuan vehicle. In this snippet, he becomes one with the synthesizers, singing barely intelligible lyrics as he fires off a barrage of ad-libs. While the stylistic cadential choice might not be for everyone, it certainly works for Uzi, who has mastered the art of using his voice as an instrument. And while Lil Uzi Vert doesn't quite hit the difficult benchmark of "baby," he certainly comes close. For many "newer" rappers, there appears to be an unspoken challenge to push one's voice to the highest registers possible.
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